![]() ![]() Johnny is a psychopathic sell out who helped Militech plant a nuke inside it's corporate rival just for a chance to save his EX girlfriend. I bring that up because Mike listed it as one of the core inspirations when writing cyberpunk. Ike of Pyke 2 except blade runner is quintessential cyberpunk and it's more noir than punk outside of the replicants who are running and they're gun down liked dogs. So the question becomes, how can you be punk when you're helping the Corp? On Adam: No no no no no, it's not a rumor or fan theory, Mike himself confirmed on reddit (where he's been active since the game was announced )that when in his Ravensoft Gemini ,the one that looks like a blonde version of Elvis ,he puts on the voice and mannerisms of Elvis or at least a "southern good ol' boy " that is akin to Elvis. And it wasn't like he didn't know: he was equipped with operator level militech gear, he was in a militech AV and Morgan didn't hide that Johnny's team was one part of the puzzle that night for militech's operations. How's the nuke not punk read closely : Because JOHNNY SILVERHAND did it as a MILITECH power grab, the sawn Paramilitary company that RUNS THE NEW UNITED STATES OF AMERICA AS A DICTATORSHIP. And I'm talking about the game as well, Mike has said he was inspired by Blade runner to create the ttrpg game as blade runner came out and flopped right when he was making it, in fact there's an interview he explicitly said it was, and even says Gibson's nueromancer wasn't an inspiration of the first game (2013 ) as he never read Gibson at that point but he did say reading gibson made him revise 2020 mechanics. The fact you focused on just the bowie part and ignored the rest is where it was shit is, I was using bowie as one part of a whole. Ike of Pyke 2 no I got your point but your point was shit. They will remain open until late January.Got chrome in ma' bloodstream Got a hardwired metal soul I'm craving serious action That smack, drag drunken roll Chips are bashin' in ma' top Ridin' high ma' slots are shot Metal burnin' 'neath ma' skin I'm Chippin'In Chippin' In Chips are buzzin', Implants hot Ridin' high ma' slots are shot Metal burnin''neath ma'skin I'm Chippin' In! Chippin' In - got my back to the wall Chippin' In - c'mon hear ma' call Chippin' In - I'm the man of steel Chippin' In - Fuckin' Feel it I'm Real! Justice called heavy violence Gonna boost and hit the street Corp plague in violent droves Made of greed, they packn' heat Cold chrome, spent molten lead Can't be killed cause I'm really dead Stand, don't feed the ghost within I'm Chippin' In Chippin' In Chips are buzzin', Implants hot Ridin' high ma' slots are shot Metal burnin''neath ma'skin I'm Chippin' In! Chippin' In - got yo back to the wall Chippin' In - c'mon scream out that call Chippin' In - you're built of steel Chippin' In - Fuckin' Feel it You're Real! Chippin' In - got my back to the wall Chippin' In - c'mon hear ma' call Chippin' In - I'm the man of steel Chippin' In - Fuckin' Feel it I'm Real! Last fall, the Bowie estate introduced “ Bowie 75,” a “retail experience” tied to what would have been his 75th birthday, with pop-up locations in New York and London featuring immersive audiovisual exhibitions along with clothing, music and other memorabilia for sale. ![]() In September, the company announced another agreement with the Bowie estate giving Warner the rights to release all of Bowie’s recordings since 1968 - although that deal did not include Bowie’s debut, which remains controlled by Universal Music. Warner’s deal for Bowie’s songwriting rights means it will be the home for nearly all of the star’s music. Over the last year or so, other major sales have included the work of Bob Dylan, Paul Simon, Tina Turner, Mötley Crüe, ZZ Top and Shakira. ![]() (The copyrights for recorded music are separate from those for songwriting, which cover the lyrics and melodies underlying any performance or recording of song.) Warner’s deal, signed late last month, is the latest in a series of huge transactions for music rights, driven by the rising value of music in the streaming age and growing Wall Street interest in music as an “alternative investment.” Last month, Bruce Springsteen sold his work as both a songwriter and recording artist to Sony Music for about $550 million. ![]()
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